Miranda, E., Eaton, J., Music Neurotechnology: a natural progression. Ashgate Companion to Electronic Music. Ashgate, UK. Emmerson, Simon (Ed.) (To be published in 2017)

Eaton, J., Williams, D., Miranda, E. 2016. Towards modular BCI for Music: Hybrid BCI control of musical structure. Proceedings of BCI Society Meeting 2016, Pacific Grove, USA.

Eaton, J., Miranda, E. 2016. The Hybrid BCMI – Integrating Brainwave Detection Methods for Extended Control in Musical Systems. Springer. Proc. of 11th International Symposium on Computer Music Multidisciplinary Research CMMR: Music, Mind, Embodiment – Revised selected papers.

Eaton, J., Williams, D., Miranda, E. 2015. The Space Between Us: Evaluating a multi-user affective brain-computer music interface. Brain-Computer Interfaces: Vol. 2, Arts and Brain-Computer Interfaces (BCIs), pp. 103-116. D.O.I 10.1080/2326263X.2015.1101922

Kirke, A., Eaton, J., Miranda, E. 2015. Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance. Leonardo. vol 48 (3). 235–242. MIT Press.

Williams, D., Kirke, A., Eaton, J., Miranda, E., Daly, I., Hallowell, J., Roesch, E., Hwang, F. Nasuto, S. 2015. Dynamic Game Soundtrack Generation in Response to a Continuously Varying Emotional Trajectory. Proceedings of Audio Engineering Society 56th International Conference on Audio for Games. London, UK.

Eaton, J., Miranda, E. 2014. On Mapping EEG Information into Music. in Guide to Brain-Computer Music Interfacing. Springer, XVIII, 313 p. 103 illus. Miranda, Eduardo Reck, Castet, Julien (Eds.).

Eaton, J., Miranda, E. 2014. Expanding on brain control: A real-time hybrid bcmi for drum machine combining active (SSVEP)
 and passive (affective response) brainwave control. 9th Conference on Interdisciplinary Musicology CIM14, Staatliches Institut für Musikforschung, Berlin, Germany.

Eaton, J., Williams, D., Miranda, E. 2014. Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli. Joint ICMC | SMC 2014, 11th Sound and Music Conference |14th International Computer Music Conference, University of Athens, Greece.

Eaton, J., Jin, W., Miranda, E. 2014 The Space Between Us. A live performance with musical score generated via emotional levels measured in EEG of one performer and an audience member. New Interfaces for Musical Expression (NIME), London, UK.

Eaton, J., Miranda, E. R. 2013. Real-Time Brainwave Control for Live Performance, 10th International Symposium on Computer Music Multidisciplinary Research (CMMR): Sound, Music and Motion, Marseille, France.

Eaton, J., Miranda, E. 2013. Real-Time Notation using Brainwave Control. Sound and Music Computing Conference 2013. Stockholm, Sweden.

Eaton, J. 2013. Real-Time Notation and Performing with Brainwaves. Keynote paper for Sight, Sound Space and Play 2013. De Montfort University, Leicester.

Kirke, A., Eaton, J. 2013. Open Outcry: A “Reality” Opera that uses Music to Contribute to the Computation of Stock Prices Based on Supply and Demand in Harmonic Constructs. Proceedings of the Intl. Music and Emotion Conference. Jyväskylä, Finland.

Kirke, A., Eaton, J. 2013. InSight: Emulating Neurological Conditions through Performance Technology. Proceedings of the Intl. Music and Emotion Conference. Jyväskylä, Finland.

Eaton, J., Miranda, E. 2012. New Approaches for Brain‐Computer Music Interfacing. Proceedings of Music of the Mind – Music, Mind Invention, University of New Jersey, USA.

Miranda, E., Magee, W., Wilson, J., Eaton, J., Palaniappan, R. 2011. Brain‐Computer Music Interfacing: From Basic Research to the Real World of Special Needs. Music and Medicine, vol. 3, pp. 134-140.