Posted by on Feb 26, 2010 in Uncategorized | No Comments

Yes! I need to dig out his cover of the Human League, but there’s always a place for The Poultergeist on here. (Source: http://www.youtube.com/)

Make note (Building MIDI Gens Lessons)

Posted by on Feb 26, 2010 in Uncategorized | No Comments

Use bang of one square to add notes (fixed scale) from METRO selection.

Posted by on Feb 26, 2010 in Uncategorized | No Comments

Simple Transpose Up and Down. Next task –  get it to stop at top and bottom of toggles.

Posted by on Feb 26, 2010 in Uncategorized | No Comments

International PRISMA Meeting

Posted by on Feb 25, 2010 in Uncategorized | No Comments

If you do one thing, this will influence where you go next. Based on you own ears, the aesthetics of the piece and your overall awareness of the development of the piece. (this ‘human’ analysis cannot yet be done by AI) Problem with algorithmic musical systems – Need a ‘memory’ to help develop the form […]

International PRISMA Meeting

Posted by on Feb 25, 2010 in Uncategorized | No Comments

Composing algorithmically – Can sometimes feel lost. Where is the form? How can one section transition to another? Ask yourself – What are the scopes of the piece? Concentrate on the function of a section

International PRISMA Meeting

Posted by on Feb 25, 2010 in Uncategorized | No Comments

Composing with computers – you have to give up on what you want when developing a compositional patch. Let the time spent developing the patch lead you Instead of ‘how to cook everything’, ideas can come from just working with the computer, no need to come up with ‘out there’ concepts to challenge to tools […]

Automat Synth

Posted by on Feb 25, 2010 in Uncategorized | No Comments

Automat Synth

International PRISMA Meeting

Posted by on Feb 25, 2010 in Uncategorized | No Comments

Compositional methodology Generate some musical gestures Analyse them Model them Regenerate variations. Often with in built time-based transformations and hierachies Steve Davismoon

International PRISMA Meeting

Posted by on Feb 25, 2010 in Uncategorized | No Comments

Composing algorithmic music with rules – Can’t have too many rules otherwise might as well write works by hand. Rules need to be honed and balanced to produce results that the artist likes, and that make sounds which work well together in wder context. Hans Tutschku